Friction's choice
Friction在1999年就在TOV下發行單曲並在這圈子打滾,因為不受好評,最
後在2000年索性當起汽車銷售員,去當他所謂的"champion hustler",打算向
現實低頭,drum & bass成為生活中極小部分。和Stakka & Skynet的一次合作
卻莫名奇妙地造就了2001 anthem: Altitude。於是Friction又肥來了,現在可
紅的很。:P:P
以下節錄自dnb arena。
First, he dictates his choice for his favourite sampler, the Akai
s3000XL. Akai is the staple choice of the modern-day studio; it is
renowned for its simple architecture and crisp drum breaks, in contrast
to its main rival, the 'Emu' with its heavy-duty filter and resonance
capabilities. He also talks us through MIDI sequencer packages such
as 'Logic' and 'Cubase'; which, in essence, are programs that display
all your sampling and sound data in a visual colour coded format on
your computer for ease of use and organisation purposes.
"I have always used an Akai s3000XL. This is a very personal choice,
though. The edge for Akai, I think, is that the beats sound harder,
I just get a vibe with this sampler. This is just my opinion though;
someone else might think I am talking rubbish! Personally, though,
I have always used it and am happy with it; I have always been an
Akai-man. I know there are a lot of different filters in the Emu, I'm
just learning it at the moment; trying to get my head round it. In
some ways I think it is easier, and in some ways I think it is harder."
"I have always used a big Mackie mixing desk. A PC or a Mac, too. The
sequencer: Cubase. The only time I have ever used Logic is with other
people, but I have to learn it properly! For bass sounds I have a good
internal soft-synth, a good Roland one and a good Trinity one. When
making music, though, most of the time I work with samples. I sample a
lot of bits and pieces from old records, as is the trend right now."
--
※ 發信站: 批踢踢實業坊(ptt.csie.ntu.edu.tw)
◆ From: 211.74.5.12
※ 編輯: mooby 來自: 211.74.5.12 (12/29 21:17)
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