[情報] 日台聲音藝術之夜
日台聲音藝術之夜
Japan-Taiwan Night of Sound Art
時間 Time/
2017/12/22(五) 20:00
地點 Venue/
江山藝改所 (新竹市江山街13號至15號間小巷內/城隍廟旁)
Jiang Shan Yi Gai Suo (In the alley between No.13 & No.15, Jiang Shan St.,
Hsinchu City/near Cheng Huang Temple)
藝術家 Artists/
上村洋一 Yoichi Kamimura (JP) + 梅沢英樹 Hideki Umezawa (JP) / 冰、乾冰、田野
錄音、 Ice, dry ice, field recordings
洪梓倪 Tzu Ni / 聲音、光 Sound, light
同場加映 Also presents：
東加奈子 Kanako Azuma (JP) / 錄像投影 Video projection
瑪麗安娜．畢斯提 Mariana Bisti (GR) / 錄像投影 Video projection
※ 演後有藝術家交流座談 An artist talk session will be held after the
performance.
入場贊助 Admission/
$300-200 自由定價 Self-pricing donation
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關於藝術家 About The Artists/
● 上村洋一 Yoichi Kamimura (JP)
www.yoichikamimura.com
來自東京的藝術家上村洋一關注於聲音與環境之間的關係，並對於各地的人們透過文化和
宗教的角度，以不同的方式審視過去、現在與未來感興趣。他思考自然與人為、過去與現
在、聽覺與視覺等之間的關係，其作品受概念藝術影響，在不同場域中錄製環境音，並將
研究收集而來的素材組成裝置作品。他認為在我們感受當代所處的環境的同時，擁有由概
念性思考、認知、生理及心理感受結合的多重體驗是很重要的。他相信這些感知將成為在
未來影響我們生活的關鍵。與梅沢英樹在日本東京Futarri（2017）、日本神奈川縣《世
界聆聽日》（2017）和blanClass《0°C》（2016）中以雙人組合形式演出。
Yoichi Kamimura (b.1982) is a Tokyo-based artist. He is interested in the
relationship between sound and scenery, as well as the various ways people
perceive past, present, and future through the cultural and religious lenses
of different areas of the world. It means that is thinking the relationship
of between nature and artificiality, past and present, sound and vision. His
production and works that are even while under the influence of conceptual
art present perceptual experiences to audience by recording environment sound
(Field Recording), moving and staying in various places, and process that is
developing into artworks from materials by those research. Because he thinks
it's important that we feel the contemporary world we live with fluxes of
complex experience consisted of conceptual thinking, recognition and biotic,
psychological sensibility. He believes that these senses will be our guide to
live in affluence in the future. Duo performances with Hideki Umezawa at
Futarri, Tokyo, Japan (2017), at the World Listening Day, Kanagawa, Japan
(2017) and "0°C" at blanClass, Kanagawa, Japan (2016).
---
● 梅沢英樹 Hideki Umezawa (JP)
soundcloud.com/hideki-umezawa
生於西元1986年，為日本藝術家暨作曲家，畢業於東京藝術大學跨媒材藝術碩士。作為一
名作曲家，英樹在2015年法國Luc Ferrari國際比賽中獲得Presque Rien首獎以及2015年
日本當代電腦音樂會ASCM116獎項；作品被選列於法國Banc d’essai 2015暨Ina-GRM
2017法國當代先鋒電子音樂藝術音樂會中演出；亦獲得2017年義大利Luigi Russolo獎。
他同時也在世界各地發行了10張專輯，包含與藝術家原摩利彦（藝術團體Dumb Type）合
作的作品。英樹正與摩利彦共同合作一項將於2017年11月展出的時尚展覽。他與Franç
ois Baschet的雕塑作品合作的多聲道音樂會將在2017年12月16日於東京藝術大學舉行。
Hideki Umezawa (b.1986) is Japanese artist / composer. MFA, Inter-media Art
at Tokyo University of the Arts. As a composer, he got 1st prize at Luc
Ferrari’s international competition - Presque Rien Prize 2015 (France),
Contemporary Computer Music Concert 2015 (Japan), and his works are selected
for Banc d’essai 2015 & 2017 (Ina-GRM, France), Luigi Russolo Award 2017
(Italy). He also released 10 CDs from all over the world, including
collaboration works with Marihiko Hara (Dumb Type). Now he is working on new
collaborative work with Marihiko for the fashion exhibition, which will be
held in Nov, 2017. His new multi-channel concert with François Baschet’s
sculpture will be held in 16 Dec, 2017 at Tokyo University of the Arts.
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● 洪梓倪 Tzu Ni
www.iitzunii.com
作品主要聚焦於空間裝置與聲音裝置，藉由裝置探討空間中光線建構與聲音身體交互接合
的關係與環境。
空間於聲音，聲音於身體，身體於機器，機器於儀式，儀式於詩，詩於空間。
試圖在現今社會狀態充滿無意義的勞動之中，建構一個環繞的場景／空間讓聽者進入空幻
的狀態把自身與外界隔絕，在當下深切感知思緒與此在。
Space and sound, sound and body, body and machine, machine and ritual, ritual
and poetry, poetry and space.
In a social landscape filled to the brim with busy work, Hung Tzu-Ni seeks to
create a setting or an environment where a listener or viewer might enter
into a dream state, momentarily isolated from the outer world, and in that
space be able to more intensely perceive one’s frame of mind & body.
Her installations explore the reciprocal relation formed between light as it
is constructed and sound as it is embodied in a space, as well as the
environments where they are interactively engaged.
---
● 東加奈子 Kanako Azuma (JP)
kanakoazuma.com
1991年生於日本愛媛縣，目前居住於東京。加奈子的藝術創作探索不同的媒材，包括攝影
、音樂與行為藝術，但電影/錄像仍是她主要的創作核心。過去重要的展覽包括：2017第
七屆莫斯科當代藝術雙年展；2017東京、巴黎、阿姆斯特丹BEYOND 2020日本攝影師展覽
#4；2016印度亞洲短片與紀錄片影展等。
Born in Ehime, Japan in 1991, based in Tokyo, Japan.
Kanako explores the various fields of art, including photography, music and
performance art, while film remains at the core of her practice. Past
exhibitions include: 7th MOSCOW INTERNATIONAL BIENNALE OF CONTEMPORARY ART,
2017, Moscow. BEYOND 2020 by Japanese Photographers #4, 2017, Tokyo, Paris
and Amsterdam, ALPAVIRAMA: Asian Short & Documentary Film
Festival: Focus on Asia Section, 2016, India.
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● 瑪麗安娜．畢斯提 Mariana Bisti (GR)
www.marianabisti.com
1981生於希臘，目前往返於倫敦及雅典兩地工作及居住。她曾在希臘帕特雷理工教育學院
專攻建築修復與活化。2005年畢業後，便持續與NC-MP Architects合作，並在2008年以第
一名的成績考進雅典理工大學建築學系，4年後完成了建築工程學士學位。2013年她的論
文「metaRedesigning Klaftmonos Square」獲得GREAT 2013希臘建築人才獎。同年，在
建築知識的背景下她開始攻讀建築攝影，從此走上攝影師的專業道路。2013年她受希臘比
雷埃夫斯港和雅典雙年展聘為攝影師；2014年受邀ArtAthina雅典國際當代藝術博覽會拍
攝；同年獲得倫敦大學學院（UCL）斯萊德藝術學院（Slade School of Fine Art）藝術
創作碩士，並因優異成績獲得威廉．孔德斯居姆獎。她的藝術實踐涵蓋多個領域，包括錄
像、攝影、公共空間介入、表演和裝置。近三年來她在倫敦（Velorose畫廊、Crypt畫廊
）、布萊頓（Phoenix Brighton畫廊）、里斯本（Dona Laura）、香港（浸會大學視覺藝
術學院）和雅典（T.A.F.）參與展演活動。2017年2月她曾在香港浸會大學視覺藝術院駐
村3個月。她的8分鐘雙聲道空拍錄像作品〈穩定繁榮〉獲得The Guardian、Dezeen與
Archdaily等媒體好評。
Born in Greece, 1981.
Lives and works between London and Athens.
Mariana studied Building Restoration and Renovation (TEI Patras, 2005) and
Archiectural Engineering (BA/MSc, NTUA 2012). In 2014 she moved to London to
pursue a MFA in Fine Art Media at the Slade School of Fine Art, where she
earned her degree with distinction and received the UCL Dean’s List Award
and the William Coldstream Prize for outstanding academic achievement (2016).
Her art practice ranges across different media, including video, photography,
public interventions, performances and installation. It can be described as
an exploration of the contours of meaning and identities, through the
processes
of their equivocal formations and contingent representations.
Traces, marks, manifestations of temporal presence are recorded and
manipulated in an attempt to investigate the ubiquitous absence of certainty
in our contemporary world. Implications of political and social issues are
juxtaposed
with solid forms and concrete spatial references, informing each other of the
current human condition and its contextual ambiguities.
Combining politics with aesthetics and forms has laid the ground for a
practice that wishes to investigate its own limits between experience and
knowledge. This framework inspires me to seek answers for both of them,
through diverse
and unexpected viewpoints and directions.
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交通方式/
● 大眾運輸
火車站出口出來，沿著左前方林森路直走約100公尺，於左手邊「台灣銀行」前搭乘大遠
百免費接駁車，在第三個停靠站(中山路北門街口)下車，往前直走約50公尺右轉仁德街(
地標為貢茶)，直走約50公尺左轉江山街，找到13號及15號之間的防火巷，進入巷子約15
公尺右手邊即為本所正門。
● 步行
火車站出口出來，沿著左前方林森路直走，看到右手邊的「南門醫院」後右轉復興路並直
走接東門街，看到城隍廟前廣場往正前方找到仁德街(地標為貢茶)，進入仁德街直走約50
公尺左轉江山街，找到13號及15號之間的防火巷，進入巷子約15公尺右手邊即為本所正門
。（約15~20分鐘）
● 地圖 Map
中文版：http://0rz.tw/3y8dH
English Version：http://0rz.tw/AQCdk
活動頁面：https://www.facebook.com/events/1921119351549883/
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