[新聞] 艾瑞莎富蘭克林將翻唱愛黛兒作品
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Aretha Franklin covering Adele on next album
By Piet Levy of the Journal Sentinel Aug. 2, 2014
In a May 29, 2014 file photo, singer Aretha Franklin looks up while seated on
stage during Harvard University's commencement ceremonies, in Cambridge,
Mass. Franklin, performing at the Wisconsin State Fair Tuesday, is working on
a new album of covers with Kenneth "Babyface" Edmonds and Andre 3000 from
Outkast.
It's generally ill-advised to cover Adele.
But if that person doing the cover is the Queen of Soul, by all means, have
at it.
In an interview with the Journal Sentinel, Aretha Franklin revealed she'll be
covering Adele's rollicking smash soul hit "Rolling in the Deep" on her new
comeback album. She may even perform some of the songs she's recently
recorded at her Wisconsin State Fair show Tuesday.
It's hard to imagine someone as accomplished as the 72-year-old Franklin
needing a comeback. Her pivotal place in music history is locked and sealed.
That classic cover of Otis Redding's "Respect" was groundbreaking, a
much-needed and celebrated rallying cry for feminism and civil rights when
released in 1967. Its immortality is matched by other Franklin staples "(You
Make Me Feel Like) A Natural Woman" and "Think."
Franklin has 18 Grammys, has sold more than 75 million records and was the
first woman inducted into the Rock and Roll Hall of Fame. Rolling Stone
proclaimed her one of the 10 greatest artists of all time and the greatest
singer of all time. She received the Presidential Medal of Freedom and sang
"My Country 'Tis of Thee" at Barack Obama's historic inauguration in 2009.
But in recent days, Franklin has been getting media attention not for her
music, but for a beef she had with a "nasty and very curt" Johnny Rockets
server who wouldn't let Franklin dine in at an empty table with her takeout
order. (Franklin still seemed livid about it in the Journal Sentinel
interview, saying she still hadn't received a personal apology, or a letter
of apology from the restaurant chain.)
And, on a more serious note, she's been afflicted by health issues, which
prompted her to cancel concerts in 2010, and again last year.
Without offering much specifics, Franklin says she's been feeling great —
and suggests there was "too much drama" in the press surrounding her health
woes.
"I am doing what I love to do and you cannot beat that, especially when the
audience appreciates what you prepare for them," Franklin said during her
phone interview, in between sips of iced tea at a Detroit restaurant. "It's
very, very gratifying."
She implied that appreciating the present — and looking toward the future —
is part of what keeps her going.
"At this point in my career, I'm more experienced and I do know how to make
it even better," Franklin said.
And that's her mind-set going into her new album, which Franklin said is
scheduled for a Sept. 30 release. Clive Davis himself proposed the project —
and suggested songs that Franklin is covering, including Gladys Knight and
the Pips' "Midnight Train to Georgia," Tina Turner's "What's Love Got To Do
With It?," Barbra Streisand's "People" and Donna Summer's "Last Dance."
Kenneth "Babyface" Edmonds produced the first six tracks, which have already
been recorded, Franklin said. Andre Benjamin, a.k.a. Andre 3000 from Outkast,
will handle the last three or four. Producer Danger Mouse, from Broken Bells
and Gnarls Barkley, was supposed to be a part of the project but scheduling
didn't work out, Franklin said.
"I love these songs, so why not?" Franklin said about the album. "I'm never
tired of going to the studio. I enjoy recording and documenting everything
and trying new things."
Franklin also wants to record with Stevie Wonder and Smokey Robinson soon.
But beyond her own music, she's focusing on the next generation. Her son
Kecalf, who performs under the stage name Kpoint, is opening for her State
Fair show. And her granddaughter Victorie, who sang at this year's BET
Honors, is Franklin's first vocal student; Franklin plans to teach a class of
about 15 in the spring. And she's in talks to host a master class at Carnegie
Hall next year.
"I enjoy watching them develop, and I try to critique them just a little bit,
without being too critical," Franklin said.
The most important lesson: "Be your own artist, and always be confident in
what you're doing. If you're not going to be confident, you might as well not
be doing it."
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