[翻譯] Spytunes中級吉他教學Lesson 11

看板bass (電貝斯/低音吉他)作者gelmo (pupuguy)時間14年前 (2011/08/29 15:05)推噓0(0推 0噓 1→)

留言1則, 1人參與討論串1/1

抱歉...雖然是bass版有亂入的感覺...但小弟許久未上ptt 時過境遷 guitar版的新發文限制讓小弟無法分享剛翻譯的一些教學 (是我不夠宅嗎!? 哭哭) 雖然標題是吉他教學但這篇文章內容講的觀念應該也是可以應用在bass上面只是希望能讓鄉民們能受用以達分享好東西的初衷 Spytunes Guitar http://spytunes.com/intermediate/intermediate-guitar-lesson-11 ---------------------------------------------------------------------------- Intermediate Lesson 11 The other day I was thinking about the order of songs in these blog lessons, I was looking for what song to use for what progression, ensuring we were about to go through the material in intermediate songs and the intermediate routine in the best possible order. This lead me to ask the question: What are the possibly movements available in the major scale and its chords? 我之前一直思索, 在這個部落格課程裡教歌的順序。我在想該用哪些歌來作為和弦進行的例子, 使整個中級課程能夠循序漸進。這讓我提出了一個問題：大調裡的和弦到底有多少種”可用的進行方式”？ I started off with thinking that a set of dice could represent this since chord VII is almost always left out in hit songs in popular music. 我想到可以用骰子來表示, 畢竟流行歌曲裡幾乎很少用到VII級和弦。 Also any doubles wouldn’t count since moving from chord II to II for example is not a movement. 另外, 重複出現的級數不算數, 因為像是從II級和弦走到II級和弦根本不能算是一種 ”進行”。 Take a moment to consider the alternatives yourself. 你自己花點時間想想看有哪些可能性。 I – II, I – III, I – IV etc, would be followed by II – I, II – III, II – IV etc but the first progression could be left out since I – II on a loop is the same as II – I in a loop. I – II, I – III, I – IV …等進行方式, 然後跟在後面的進行可能有： II – I, II – III, II – IV …等等。不過, 第一個和弦進行可以被剔除, 因為在一個loop裡面, I – II跟 II – I是一樣的。 How many combinations do you come up with? 你想到了幾種排列方式呢？（高中數學的排列組合阿~~~淚奔~~） You see what struck me was; since we are not dealing with the modes yet, we can get rid of even more chord movements! 我自己是突然意識到：既然我們還沒有要講到調式, 那就表示我們可以略過更多和弦進行方式！ For example, I to VI is parallel minor, we don’t add maj7 to chord I, it’s just a triad, this means that the difference between I and VI vs IV and II as well as V and III is none! 舉例來說, I級跟VI級是平行小調, 這裡的I級和弦只是三和弦, 不加maj7的音, 這表示I級與VI級的差別, 跟IV級與II級的差別是一樣的！V級到III級亦同。 With all modal notes we’d get a different story, but only using pentatonic scales and chords in their triad form, we actually get it down to very few movements which can be seen as the DNA of chord progressions. 如果加上調式音的話, 情況就會完全不一樣。不過, 如果只是使用五聲音階與三和弦, 可能的”進行”就會只剩幾種, 而這些進行就可以被視為所有和弦進行的DNA(基礎)。 This got me thinking, if you just get all these movements under your fingers you will have a map of how each chord connects with the next on the fretboard. 這讓我開使思考, 如果你熟悉了所有的基本進行, 你就會對指板上和弦指型的連結更有概念。 You shouldn’t write this down, you should jam yourself to this knowledge. 你不應該把這寫下來, 而是用jam的來學會這一切。 All you need to do is practice the movements in all positions, all shapes, all keys and it’ll be a self-eliminating exercise. 你只需要在所有調, 所有的把位, 用所有的指型, 練習這些基本的進行, 他就會變成一種”自宮練習”（self-eliminating exercise, 這是Spytunes.com自己研發出來的練習模式, 照著他的規劃, 循序漸進以自學。會亂翻成自宮是因為, 他的概念是把已經練到某個程度的部份從練習清單上劃掉, 再也不用回去練。有點像打電動破關, 屬於他自己研發出來的自學模式）。 Do this with both all barred chords, the minor pentatonic and the major pentatonic scales. 用這個方法練習所有的封閉和弦、小調五聲音階跟大調五聲音階。 If you get these movements down, applying the concept new chord = new scale will be so much easier. Also, just imagine what this type of practice will do for your ear training! 當你練習透徹後, “換和弦=換音階“的概念將變得很容易理解跟應用。而且, 試想這個練習會對你的聽力有多大的幫助阿! By completely zoom in on, for example, II – V you will be able to spot this progression in songs, and play over it… If you put in a few hours you might have a few ideas to bring to the table when the next song you play move II – V. 把各種和弦進行放大來練習, 比如練習了 II – V 的進行, 你就可以在歌曲當中認出這個進行並可以彈奏於其中。如果花了不少時間練習, 你搞不好會產生一些自己的想法, 下一次碰到 II – V 進行的時候就可以端上台面了。 Let me give you an example; Valerie, it goes I – II on a loop, followed by IV – III on a loop finished off with V – I. 我舉個例子：Valerie這首歌(Amy Winehouse, R. I. P.), 是先loop一個 I – II 進行, 後面緊接一個 IV – III 進行的loop, 最後以一個 V – I 進行做結束。 How do you think your improvisations would sound if you spend time on each individual movement, compared with if you had just memorized a part and the singer shouts: solo! 相較於只是背下一段旋律, 然後在歌手喊:“Solo!“ 的時候彈出來, 如果你把各段進行獨立出來練習, 你覺得怎麼樣會比較好聽呢？ -Guru -咕嚕 ----------------------------------------------------------------------------- 希望對大家有幫助或是有善心人士可以幫忙轉貼guitar版感謝還忘大家不吝指教 ------------------------------------------------------------------------------ 由於翻譯時間久遠剛剛發現這篇原文已經不見了... 連結過去雖然是同樣的單元內容但是原文只在這篇貼文裡了... Valerie是Amy Winehouse的歌, 有興趣的可以youtube一下感謝～ -- ※ 發信站: 批踢踢實業坊(ptt.cc) ◆ From: 180.217.205.135 ※ liyuan0204:轉錄至看板 guitar 08/29 15:21