Fake Haas Edition
Karajan/BPO (EMI, DG)
Karajan/VPO (DG)
You can clearly hear the percussion from the 177th bar on in the second mvt.
(Nowak Edition) in von Karajan's recordings of the 7th symphony.
It seems that Karajan in some cases prefers the Haas Ed., probably because of
the historical issue. (For detailed discussion in Haas Ed. and the National
Socialism, see Ben Korstvedt, The musical Quarterly Vol. 80 no. 1, 1996.)
However for the sake of the effect during the actual performance, he added
the percussion part in the Adagio. I cannot distinguish if the octave of
the string section is strengthened or not. Maybe Karajan still adopted the
Haas Ed., except the additional percussion in the Adagio.
However, don't forget that von Karajan is Schalk's pupil! Heir of Nikisch!
(Just kidding.)
--
Piaf @ PTT; klem/Dutchman elsewhere.
※ 編輯: Piaf 來自: 141.212.126.245 (01/21 06:28)
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